2020 Clos i Terrasses 'Laurel' Priorat
Availability:
In stock
SKU
18944
was
$75.00
Special Price
$59.97
Save $15.03
(20%)
Winemaker Notes: While Clos Erasmus comes from the same parcels year after year, Laurel has been slowly evolving both in the vineyard and cellar. Laurel is sourced from younger vines of Garnatxa planted on costers in Aubagues, Garnatxa, Syrah, and Cabernet from the warm terroir of Socarrats, and Garnatxa and Syrah from Guinarderes. The final blend is roughly 75% Garnatxa, 20% Syrah, and 5% Cabernet Sauvignon. Based largely on younger vines and years of toil to establish these sites and properly farm them following organic and biodynamic principles, it would be wholly inappropriate to view Laurel as a second wine. If Daphne had not already established herself as one of the most talented vignerons in the Priorat with Clos Erasmus, she would be a leading contender with Laurel. Aged in large oak vats, concrete tanks, second and third fill French oak barrels, and clay amphorae, the complexity of the élevage is reflected in the wine which always shows an ethereal and aromatic complexity, translucent ruby color, with red fruit more than black fruit character buttressed with subtle tannins.
CRITICAL ACCLAIM
Robert Parker's Wine Advocate - "2020 was a challenging year that gave them a lot of work in the vineyard, but it it paid off. The 2020 Laurel feels very elegant, balanced and fresh, a little lighter perhaps, with perfectly ripe tannins, a little in line with 2016 or 2013. It might be a little unusual for the house style or perhaps a slight change, as they are gradually going for softer vinifications; you don't really need to extract in Priorat, because the wines are powerful enough on their own. It's still extremely young and has a lactic touch (that blows off with a bit of time in the glass); it was only bottled at the end of May 2022, three months before I tasted it. Even if it's the second wine here, it's a wine that needs a little bit of time and improves in the bottle. Having said that, the 2020s feel more open, expressive and approachable than the 2019s, which are more tannic and powerful while the 2020s feel a little more Burgundian if you like. This has to be one of the finest vintages of Laurel so far. After some time in the glass, the aromatics of the Syrah (which was perhaps a little more this year, some 12% versus 8% in 2019) made an appearance—violets, smoked bacon. Daphne Glorian told me that everything was easy, that the wine was expressive and open from day one and that the fermentations were smooth."
CRITICAL ACCLAIM
Robert Parker's Wine Advocate - "2020 was a challenging year that gave them a lot of work in the vineyard, but it it paid off. The 2020 Laurel feels very elegant, balanced and fresh, a little lighter perhaps, with perfectly ripe tannins, a little in line with 2016 or 2013. It might be a little unusual for the house style or perhaps a slight change, as they are gradually going for softer vinifications; you don't really need to extract in Priorat, because the wines are powerful enough on their own. It's still extremely young and has a lactic touch (that blows off with a bit of time in the glass); it was only bottled at the end of May 2022, three months before I tasted it. Even if it's the second wine here, it's a wine that needs a little bit of time and improves in the bottle. Having said that, the 2020s feel more open, expressive and approachable than the 2019s, which are more tannic and powerful while the 2020s feel a little more Burgundian if you like. This has to be one of the finest vintages of Laurel so far. After some time in the glass, the aromatics of the Syrah (which was perhaps a little more this year, some 12% versus 8% in 2019) made an appearance—violets, smoked bacon. Daphne Glorian told me that everything was easy, that the wine was expressive and open from day one and that the fermentations were smooth."
Country | Spain |
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Region | Priorat |
Vintage | 2020 |
Winery | Clos i Terrasses |
Grape Varietals | Garnacha, Grenache, Syrah |
Size | 750 milliliter |
Imported By | Eric Solomon |